Chartres Cathedral

Chartres Cathedral Hotels	Chartres Cathedral Car Hire
Arrival:	Departure:
Best Price Guaranteed Reserve online, pay at the hotel booking.com want you to pay the lowest price possible for your Chartres Cathedral hotels. Should you find your hotel room, with the same booking conditions, at a lower rate on the internet after you have booked, they will match it. Click for more details.

Chartres is found about 100 km south west of Paris. It is the cathedral for which it is rightly famous the world over, and the spires of the cathedral dominate the landscape for miles around the town.

The cathedral at Chartres, built from 1194-1260, is one of the best examples of gothic architecture to be found anywhere. It is a UNESCO listed World Heritage Site.

After the first cathedral of any great substance burnt down in 1020 (prior to this, other churches on the site had disappeared in smoke), a glorious new Romanesque basilica, which included a massive crypt, was built under the direction of Bishop Fulbert and later under the direction of Geoffroy de Lèves. However, having survived a fire in 1134 which destroyed much of the rest of the town, disaster struck yet again the night from the 10th to the 11th of June 1194 when lightning created a blaze that left only the west towers, the façade between them and the crypt.

The people despaired when they believed that their sacred relic, the Sancta Camisia, had perished too. But three days later it was found unharmed in the treasury along with the priests who had taken it there for safety when the fire broke out and locked themselves in behind the iron trapdoors. The visiting Cardinal Melior of Pisa, a papal legate, told the people that the survival of the relic was a sign from Mary herself and that another, even more magnificent, cathedral should be built in Chartres.

Rebuilding, with the help of donations from all over France, began almost immediately, using the plans laid out by the first architect, still anonymous, in order to preserve the harmonious aspect of the Cathedral. The enthusiasm for the project was such that the people of the city voluntarily gathered to haul the stone needed from local quarries 5 miles (8km) away.

Work began first on the nave and by 1220 the main structure was complete, with the old crypt, along with the mid-12th-century Royal Portal which had also escaped the fire, incorporated into the new building. The plan is cruciform, with a 128m long nave, and short transepts to the south and north. The east end is rounded with an ambulatory which has five semi-circular chapels radiating from it. The cathedral extensively used flying buttresses in its original plan, and these supported the weight of the extremely high vaults, at the time of being built, the highest in France. The new high gothic cathedral at Chartres used 4 rib vaults in a rectangular space, instead of 6 in a square pattern, as in earlier gothic cathedrals such as at Laon. The skeletal system of supports, from the compound piers all the way up to the springing and transverse and diagonal ribs, allowed large spaces of the cathedral to be free for stained glass work, as well as a towering height.

On October 24, 1260 the cathedral was finally dedicated in the presence of King Louis IX and his family.

Even the elegance of the exterior does not prepare the visitor for the wonders that lie within. The spacious nave stands 36m high, and there is an unbroken view from the western end right along to the magnificent dome of the apse in the east. Clustered columns rise dramatically from plain bases to the high pointed arches of the ceiling, directing the eye to the massive clerestory windows in the apse.

Everywhere vivid colour splashes on to the floor from the superb stained glass windows. Dating from the early 13th century, the glass largely escaped harm during the religious wars of the 16th century; it is said to constitute one of the most complete collections of medieval stained glass in the world, despite “modernization” in 1753 when some of it was removed by the clearly well-intentioned but misguided clergy. From the original 186 stained-glass windows, 152 have survived. The stained glass windows are particularly renowned for their vivid blue colour, especially a representation of the Madonna and Child. They also present the first European wheelbarrow. During the second World War, most of the stained glass was removed from the cathedral, and stored in the surrounding countryside, for protection from German bombers. At the close of the war, the windows were taken out of hiding and replaced.

Several of the windows were donated by royalty, such as the rose window at the north transept, which was donated by the French queen Blanche of Castile. Windows were also donated from all types of people, from kings, lords to locals and tradespeople. The royal influence is shown in some of the long rectangular lancet windows which display the royal symbols of the yellow fleurs-de-lis on a blue background and also yellow castles on a red background.

On the doors and porches medieval carvings of statues holding swords, crosses, books and trade tools parade around the portals, their expressions as clear today as when first carved 700 years ago. The sculptures on the west façade depict Christ's ascension into heaven, episode from his life, saints, apostles, Christ in the lap of Mary and other religious scenes. Below the religious figures are statues of kings and queens, which is the reason why this entrance is known as the 'royal' portal. While these figures are based on figures from the Old Testament, they were also regarded as images of current kings and queens when they were constructed. The symbolism of showing royalty displayed slightly lower than the religious sculptures, but still very close, implies the relationship between the kings and God. It is a way of displaying the authority of royalty, showing them so close to figures of Christ, it gives the impression they have been ordained and put in place by God. Sculptures of the Seven Liberal Arts appeared in the archivolt of the right bay of the Royal Portal, which represented the school at Chartres.

The Cathedral of Chartres was not destroyed nor looted during the French Revolution and the numerous restorations have not altered its glorious beauty. It always stayed the same: the triumph of Gothic art.

The cathedral was added to UNESCO's list of World Heritage Sites in 1979. The towers are also listed as a French National Monument - see admission details at Chartres cathedral visitor information.

(Note: the text and photo above are made available under the GNU Free Documentation License and include the article here and may be reproduced under the same copyright terms)

Visit Chartres Cathedral (Centre, Eure-et-Loir) travel, gites and hotels


Chartres Cathedral Hotels

Arrival:
Departure:

The Chartres Cathedral hotels listed feature descriptions, guest reviews, ratings, location maps, online booking etc. as well as the 'best-price' guarantee. The search for hotels in Chartres Cathedral is provided by booking.com.